Yin style Baguazhang – Zhu Bao Zhen Comple collection includes:
– 8 DVDs (AVI files of high quality video similar to DVD standardt))
Baguazhang was first heard in around 1860 when Dong Haichuan was in Prince Su palace. Traditional Baguazhang includes the double principle of Using Movement as basis and Changes as method. Techncal principles include Circle walking, Turning, Spiraling, Twisting, Enwrapping, Drilling and Overturning.
Yin Fu was one of his top disciple and create his tyle , the Yin style of Baguazhang.
1. Fixed Position Eight Palms.
52 mn.
These Fixed Position Eight Palms are considered as one of the most important basic training of Baguazhang defined by the creator Dong Haichuan himself. These Fixed Position Eight Palms were called also Turning Palms, they include: 1) Downwards Collapsing Palms, 2) Lifting Sky Palm, 3) Sky and Earth Palm, 4) Embracing Palm, 6) Supporting Palm, 7) Holding Palm and 8) Yin Yang Palm.
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Download MPG format 2. Twelve Linking Kicks.
61 mn.
The final part concerns the 12 Linking Kicks as warm-up but also their applications in combat.
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3. Eight Fixed Palms Combat Applications.
81 mn.
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134 mn.
Explanations will be accompanied by a demonstration of the technique, done in real fighting speed and slowmotion.
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Download MPG format 5. Baguazhang Basic Performance Set.
27 mn.
The Baguazhang performance routines that are widespread today are a development of the 1960s, created by using Baguazhang movements to compose performance routines that emphasize beautiful movements and fits the technical criteria used by Chinese Wushu Forms Judges.
This Basic Performance Set is mainly composed of movements from the Eight Fixed Palms (DingShiBazhan) set, as well some of the simpler Palm and kicking techniques from other palm changes. It contains a total of 62 movements. It is performed while walking the circle and is a simple routine to learn for those with some background in the basic palm changes.
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Download MPG format 6. Baguazhang Advanced Performance Set.
29 mn.
The Baguazhang performance routines that are widespread today are a development of the 1960s, created by using Baguazhang movements to compose performance routines that emphasize beautiful movements and fits the technical criteria used by Chinese Wushu Forms Judges.
This Advanced Performance Set is composed from of Yin stle Baguazhang palms and its kicking techniques., with a a few movements from Cheng and other styles of Baguazhang that were selected for their aesthetic qualities, creating a form that has both hard and soft characteristics. This is very beautiful when performed correctly, but its movements are quite complex and difficultt. There are 68 movements in total; movements characteristics are: moving in four directions and attacking in eight, straight movements that contain a curve, circles withing circles, straight movements within circles and continuous, flowing change between them. All the ingredients to bring out the unique falvour of this martial art.
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7. Bagua Spear Performance Set: Ti Lu Qiang.
28 mn.
In this Performcance Set known as Ti Lu Qiang (as distinct from the Double Headed Spear Set) and is unique to Yin style Baguazhang and is the only original and traditional performance set.
This traditional set was created by Yin Fu himself during his time in the Royal Palace and was later passed down by his student “Iron Elbow” Li Yongqing. This set has its very own flavor, with continuous and versatile changes as well as subtle martial applications. When performed correctly it should give the impression of a dragon dancing in the wind, with beautiful and unpredictable changes.
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8. Bagua Spear (Eight Old Spear).
59 mn.
Bagua Eight Old Spear was created along the same principles as the Eight Palms Changes, with a number of spear techniques composing each spear change.
The Eight spear changes are: 1) dan Huan Qiang, 2) Shuang Huan Qiang 3) Shun Shi Qiang 4) Zhuan Shen Qiang 5) Fan Shen Qiang 6) Hui Shen Qiang 7) Bei Shen Qiang 8) Mo Shen Qiang
It perpetuate the principle of martial weapon extending the arm of the practitioner. When reaching a sufficient level, the specific flavor of his boxing style, the multiple changes of the set performed but also corresponding the martial applications give then an exquisite impression of martial and artistic achievement.
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