He has recorded with Bonnie Raitt on Warner Brothers and the James Montgomery Band on Capricorn and Island Records, among many others. His awards include two Emmys, seven NEBA awards, and six ASCAP awards. Peter holds a Bachelor of Music in Jazz Composition and Arranging from Berklee College of Music and a BA in Government from Harvard University.

Tony has a bachelor’s of music degree in Music Production & Engineering from the Berklee College of Music and a master’s in Music Technology from the University of Newcastle in Callaghan, Australia. He has served three consecutive two-year terms as the chair of the Boston Section of the Audio Engineering Society and is currently serving his second two-year term as the AES VP of the Eastern Region of the US/Canada. He is also the current chair of Regions & Sections, overseeing all Pro and Student AES Sections Worldwide.

Past clients include RCA Records, Mercury Records, Virgin Records, WFNX, Filene’s, Home Inc., EF Education, Schneider & Associates, Softskull Press Inc., Brand X Filmworks, Dudnyk Healthcare, Teatro de Marionettas de Venezuela, and the NAHB Production Group.

Tony has presented at a number of colleges including Berklee College of Music, Harvard University and the Royal College of Music in London.

He is a member of the Society of Professional Recording Services (SPARS), National Academy of Recording Arts & Sciences (NARAS), and the American Society of Composers, Authors & Publishers (ASCAP).

Hamilton has appeared and toured with multi-platinum recording artists such as James Brown, Tyrese, Savage Garden, Coolio, Joe, Ronny Jordan, Jonathan Butler, and Phil Perry. He has performed at the BBC London, the NFL World Bowl IX Halftime Show, the Turn Ben Stein On TV show, and the Today show. He has been featured at the Boston Globe Jazz Festival and the Santa Barbara Jazz Festival. He received his bachelor of music degree from Berklee College of Music, where he is now an assistant professor in the Contemporary Writing and Production department.

Moss has been working with MIDI since its inception, and it is an inextricable part of his scoring work as founder and owner of Soundscape Productions, an in-demand project studio situated in 5,700 square feet of loft space in Boston. Soundscape Productions provides superior production and sound services for education, industry, and advertising, including big-budget clients such as Gillette, Coca-Cola, and Warner Brothers. In 1996 Soundscape produced the Grammy-nominated book-on-tape Jumanji, which was read by Robin Williams, star of the movie version of the book. In 2000, Soundscape received two more Grammy nominations, for The Polar Express read by Liam Neeson and scored by Moss, and The Christmas Miracle of Jonathan Toomey, read by James Earl Jones. In addition, Soundscape has hosted notable authors such as Philip Roth, John Updike, documentary filmmaker Errol Morris, poet Allen Ginsberg, and comedy performer Adam Sandler. Soundscape’s expertise and popularity in the field of spoken word recordings was recently heralded in a feature story by Mix Magazine.

Michael Moss’ music has appeared in well over one hundred commercial audio book releases, including The Polar Express, the Christmas classic by Chris Van Allsburg. He typically starts with a MIDI score, which serves as the seed for a full orchestral recording. His current MIDI rig is comprised of fifteen hardware synthesizers and numerous software synthesizers. His distinguished career as a composer includes clients such as National Public Radio, Simon and Schuster, Gillette, and many others.

Another facet of Soundscape is the company CreateSound. CreateSound markets the Michael Moss invention Aud-eMail, an innovative Web application that allows a user to record their voice and add a library of entertaining media soundbites to create audio e-mail messages. CreateSound’s clients include Paramount Pictures, Miramax films, and Twentieth Century Fox. Moss uses Reason as the software basis of work he is doing in sound installation art, as part of a collaboration with visual artist Claudia Ravaschiere. His audio work resides in the permanent collection of the Boston Children’s Museum, and their latest collaboration, Precious, was the subject of an NPR story.

Carla has performed on TV shows like The Tonight Show, Dante Night Show, The Grammy Awards, and Pee Wee’s Playhouse. More recently, Carla was featured soloist in the Sonorama project for Pacific Standard Time LA/LA at the Getty, The LA Tribute to Luiz Melodia, the Film Composer Collective concert at the Theatricum Botanicum for film composer Matthew Ferraro, and the rock opera Feast of Friends at the Rio Threatre in Santa Cruz. Carla sang on several feature films, including the Oscar nominated (for best original song) RIO for composers Sergio Mendes, Carlinhos Brown, and John Powell, and RIO 2 with Janelle Monae and her band. In Brazil, the song “Teu Olhar,” which Carla produced and co-wrote, became the lover’s theme song for the popular telenovela Amor e Ódio. Back in the states, Carla sang and contracted vocal sessions for numerous Disney recordings in Portuguese and Spanish, and on countless commercial jingles. Carla sang on the pilot for the Amazon original Mozart In the Jungle, and on the Netflix original film, Like Father.

Inspired by her work with Caetano Veloso, Carla explored tropicália and jazz for her self-produced 2016 album, +Blue (whose title, “More Blue” was inspired by Veloso’s song “A Little More Blue”). On +Blue, Carla explored the meaning of “home” and the complexities of growing up between two countries and cultures: her birthplace, Brazil, and her adopted country, the U.S. NPR featured +Blue and interviewed Carla on Weekend Edition with Linda Wertheimer.

In 2019, Carla released a vinyl single, Adriana, on the Burlacticus Recording Company label. Adriana, written by the great bossa nova guitarist and composer Roberto Menescal, was chosen by the label especially for Carla and her band for its exquisite groove in 5/4 meter, and intimate vocal style. During the recording session for Adriana, Carla tracked and produced an additional two songs of her own, Three Kings and Sempre Odara, which went on to win the John Lennon Songwriting Contest grand prize in jazz.

Carla graduated Summa Cum Laude with a degree in Music Production from Berklee Online and is currently a professor of commercial music at California State University, Los Angeles. She is on the songwriting team for the children’s web series, Outta The Books, and continues to perform, write, and produce music both in-house and remotely from her studio in Los Angeles.