-80%

John Whynot – Audio/Music Production for Visual Media

Name: John Whynot - Audio/Music Production for Visual Media
SKU: 4e1dfa4c392d
Availability: InStock
Rating: 4.79 (6 reviews)

Rated 4.79 out of 5 based on 23 customer ratings

Original price was: $2,560.00.Current price is: $512.00.

Digital Download: You will receive a download link via your order email after successful payment.

This course is an in-depth exploration of the tools, techniques, workflows, and creative considerations in producing audio for film, television, and related media.

SKU: 4e1dfa4c392d Category: Music Tags: Audio/Music Production for Visual Media, John Whynot, John Whynot - Audio/Music Production for Visual Media

Description
Reviews (6)

Audio/Music Production for Visual Media

This course is an in-depth exploration of the tools, techniques, workflows, and creative considerations in producing audio for film, television, and related media. You will explore the history of film as a medium, through the development of technology for synchronizing audio to moving picture, to modern-day practices in audio post-production. You will also explore the process and technique of creating sound for picture. You will gather, craft, edit, and mix sound effects, backgrounds, and Foley that would be applied to visual media. You will prepare for and explore techniques for managing a large ensemble recording session for recording score. You will learn the process of submitting audio stems to the final mix, and learn the final mix itself.

By the end of the course, you will be able to:

Create sound for picture, applying audio post-production skills
Gather, craft, edit, and mix sound effects, backgrounds, and Foley
Prepare for and explore techniques for managing a large ensemble recording session for recording score
Prepare a film mix “pre-dub,” submit audio stems to the final mix, and complete the final mix itself
Create a film clip with your own custom-created soundtrack, using the techniques presented throughout the course

Syllabus

Lesson 1 Storytelling with Sound: The Anatomy of a Soundtrack

Lesson 2 Actors Talking! Introduction to the Technology

Lesson 3 In-Depth Location Audio and the Dialogue Edit

Lesson 4 Environments & Backgrounds: Creating the Static “Reality”

Lesson 5 Performing Reality: A Look at Foley

Lesson 6 Finding Reality: Sound Libraries, Collections, and the Outside World

Lesson 7 Warping, Mangling, Massaging, and Preparing Sound Effects

Lesson 8 Music? Why Is There Music?

Lesson 9 How to Mix Film Music in One Easy Step

Lesson 10 Data Coming and Going: The Flow of Information

Lesson 11 Toward and Beyond the Final Dub

Lesson 12 Beyond Technique and into Art—Beyond Art and into Business

Requirements

Proof of a Bachelor’s Degree

Proof of a bachelor’s degree is required to enroll in this non-degree, graduate-level course.

Ready to submit an unofficial copy of your transcript?

Submit Transcript (log in required)

Prerequisites

Completion of Creative Digital Signal Processing (DSP) for Music and Visual and Sound Design for the Electronic Musician or equivalent knowledge and experience is required.
Take the Audio/Music Production for Visual Media self-assessment to determine your level.

Software Requirements

Pro Tools 12.7.1 or higher
iZotope RX Elements 7 (included in required iZotope Music Production Suite Bundle)

Mac Users

OS X 10.9 Mavericks or higher
Latest version of Google Chrome

Windows Users

Windows 7 or higher
Latest version of Google Chrome

Hardware Recommendations

Either an iPhone/iPad attachment mic such as the Zoom iQ6 or a (preferred) portable field recorder such as the Tascam DR-05 is recommended but not required.
Recording gear (microphones, audio interface, etc) for recording assets to use in assignments and projects
500 GB free hard drive space
Speakers or headphones
Webcam
Internet connection with at least 4 Mbps download speed (http://www.speedtest.net to verify or download the Speedtest by Ookla app from your mobile app store)

General Course Requirements

Below are the minimum requirements to access the course environment and participate in live chats. Please make sure to also check the Prerequisites and Course-Specific Requirements section above, and ensure your computer meets or exceeds the minimum system requirements for all software needed for your course.

Mac Users

OS X 10.10 Yosemite or higher

PC Users

Windows 7 or higher

All Users

Latest version of Google Chrome
Zoom meeting software (available in the course when joining your first chat)
Webcam
Speakers or headphones
External or internal Microphone
Broadband Internet connection

Instructors

John Whynot

Author & Instructor

Grammy-winner John Whynot’s first major feature-film score mixing credit was The Last of the Mohicans, which won the 1993 Academy Award for sound. He has since mixed and programmed dozens of feature film scores, including Austin Powers I and II, Ronin, Stigmata, and The Breadwinner.

A composer and songwriter, his original compositions have appeared in feature films, television movies, national advertising and video games. He has extensive experience in all musical idioms and styles.

His Grammy- and Juno-award-winning career as a producer/engineer includes projects with Dave Matthews, Lucinda Williams, Blue Rodeo, Kathleen Edwards, Loreena McKennitt and Colin James

A multi-instrumentalist, he has appeared on stage or television with Bruce Cockburn, The Band, Rick Danko, Garth Hudson, Doug Sahm, Amos Garrett, Kathleen Edwards, Carole Pope, Corey Hart, Blackie & the Rodeo Kings

In his hometown of Toronto, where he was constantly seen on stage playing in literally dozens of bands (guitar, keyboards, saxophones), John frequently found himself in the producer’s chair in the studio. He was driven by a fascination with recording and an increasingly obvious talent for working the boards.

His move to Los Angeles in 1989 spurred a shift into film scoring. Within a short time he was brought into a project with composer Trevor Jones, who immediately hired him to program synths and mix the score to The Last of the Mohicans. Being a mixer who can read scores and relate to musicians as a musician has kept him working in film music ever since. He has also mixed and/or programmed scores for George S. Clinton, Elia Cmiral, Andrew Gross, Jeff Danna, Mychael Danna, John Debney and others.

In 2014, John accepted an offer to become an Associate Professor at Berklee College of Music in its vaunted Music Production and Engineering Department. He is now dividing his time between teaching and mixing in Boston and producing and mixing in Los Angeles.

Recently, John has been mixing album projects for B3-Berlin, Blackie & the Rodeo Kings, JW JONES, mixing the scores to the Amazon series The Last Tycoon and the Netflix mini-series Alias Grace and the feature films The Breadwinner and The Man Who Invented Christmas for Mychael Danna & Jeff Danna. He is also creating a new Minor in Audio Post Production at Berklee College of Music.

What’s Next?

When taken for credit, Audio/Music Production for Visual Media can be applied towards these associated programs:

Associated Certificate Program

Mixing, Mastering, and Production for Visual Media Graduate Certificate

Associated Degree Major

Master’s Degree in Music Production

Get Download John Whynot – Audio/Music Production for Visual Media at Forimc.net today!

Salepage: https://online.berklee.edu/courses/audio-music-production-for-visual-media

Archive: https://archive.ph/wip/8WLNB

6 reviews for John Whynot – Audio/Music Production for Visual Media

There are no reviews yet.

John Whynot – Audio/Music Production for Visual Media

Use the 20% Coupon Code: Grateful

Audio/Music Production for Visual Media

Syllabus